"Beyond Plein Air The Landscape—Real/Recreated/Reassembled/Imagined"

I was invited by the editors of the Maine Arts Journal to write an essay about their theme as it relates to my work process and content.

Veronique Pleisch writes: "We understand the draw of the outdoors in Maine, which is perhaps even more enticing after a long winter. This summer issue of the Maine Arts Journal features artists reflecting upon the meanings working en plein air holds for them—but with a twist. We didn’t want plain plein air; instead, we asked our contributors to think Beyond Plein Air. The simple addition of “beyond” was meant as an invitation to reflect upon the process with which a real landscape is transformed."

I write about my paper log sculpture and cardboard spiral installation for the Journal's theme of absence and presence.

"On The Edge" an exhibition of drawings. Catalog pages 22/23

The group exhibit "Shift Register" was curated by Shaina Gates in Exeter NH. ... "The title, writes Marta Spendowska, refers to an electronic system for processing information quickly, and works as an analogy for the kind of intuitive processing that forms the logic of the exhibition..."

An article about the art installation called "Dover Traffic Spiral" that came to fruition during the pandemic in May 2020. The journalist and I stayed apart and on opposite sides of the fence for the interview.